Standing in a museum flooded with natural light and buzzing with people, it’s impossible to say that we’re now darkened or dormant. The Museum has been open for one week and we’ve had almost 30,000 people flooding through the doors. So now is the time to put Darkened not Dormant to bed and to reflect on the year gone by.
Back in January 2013, the Museum filled up with scaffolding as work began restoring our fabulous roof. The collections needed protecting, so bizarre scenes of wrapped skeletons and bagged-up taxidermy popped up in the galleries. That’s when the inspiration came to document and share our year of closure through this blog.
The scaffolding towers allowed the construction team to reach the glass roof, but it also gave us all a unique close-up of the Victorian craftsmanship. Staff were lucky enough to go on a tour high up into the roof and we all marvelled at the detail in every strut, screw and spandrel.
The greatest discovery came in April 2013 when silver paint was found scrawled on a wooden beam. The words read “This roof was painted by G.Thicke and J.Randall, April 1864”. Our curiosity was piqued, then satisfied when we were contacted by a relative of George Thicke, who had read our blog post and started digging in family records. A highlight of the year for me was joining Thicke’s great great great grandson Steve Moorwood and his wife Debbie to see their ancestor’s handiwork up in the roof.
But we haven’t spent the year hanging about in the Museum waiting for the roof to be finished. Our flamboyant van has been out and about taking specimens and staff to festivals, schools and other museums around the country. Our weekly ‘What’s on the Van?‘ posts have given the expert stories behind the specimens that decorate its bodywork; from Stan the T rex to Darwin’s dung beetle.
Even museum specimens escaped the Museum’s darkened galleries and set up temporary homes in Oxford city centre.
The Natural Histories exhibition created in collaboration with the Museum of the History of Science gave visitors the chance to see some of the treasures of our collection while our doors were closed.
If you popped into the bank, the fishmongers or the bookshop at the end of 2013, you may have spotted a bank vole, penguin or bookworm looking a little out of place. Goes to Town was a six-month display of museum specimens in Oxford, with an online trail to track down all 12 and find out a little more about them. After a dramatic breakout, they’ve all made it back to the Museum and can now be seen in more familiar surroundings.
Although we certainly haven’t been dormant while the Museum’s been closed, it has been dark. So it is all the more satisfying to see how successful the restoration project has been at bringing light back into the Museum.
Neil Hyatt, the Project Manager for Oxford University Estates Services, looks back fondly on 14 months of hard work; “Whilst the project has been a complex one to get my head around – the logistics of scaffolding out such a huge space, keeping the interior protected from the heavens opening when the glass was out, the sequence of removal, clean and replacement, the ongoing museum conservation work in the same space, the iron, timber and stone cleaning – it has been a pleasure and delight to work on. Having become so dull and lifeless as the glass got progressively dirty and obscured, the roof now shines with a radiance not seen since it was first constructed.”
Goodbye Darkened not Dormant, it’s been quite a year. Hello again bright and bustling Museum.
Rachel Parle, Interpretation and Education Officer